Quantum wrote on Apr 11
th, 2014 at 8:12pm:
Everything therefore can have doubt surrounding it. But there has to be a point where we accept that the evidence pushes left more than it pushes right.
Yes, everything does have doubt surrounding it and sometimes (especially where articles of faith are concerned) whether the evidence pushes left or right (or even not at all), does not detract from the believer's sense of truth on the matter in question.
I characterise this species of conviction as 'the art of being certain', requiring the acceptance that doubt is ubiquitous and indestructible, yet believing anyway, without that faith being belligerent and blind.
These convictions, like most others, are usually not up for debate, nor open to scientific inquiry (and nor are they defended by irrational argument) and yet still impart a truth value to the believer. A fortuitous paradox, if you like, that resonates deep into the human psyche because its utility is innate and universal.
Soren's "Juliet's Balcony" (I assume its original) is an excellent example of this :
"There is a Juliet balcony in Verona that tourists like to look at. We all know it's not actually the balcony but we do go and visit it (I know I did) because it lets us think of the truth of the drama more concretely. Like a relic or an icon, it fixes the mind on the contemplation of the truths of the drama.""Doubting in this context is trivial because it distracts from the truth of the drama."Yes, doubt is ubiquitous and indestructible plaguing every conviction, yet, like the 'reality' of imaginary numbers, it's dubiety can be set aside - we can suspend our incredulity - in order to apprehend a greater truth.